Top Ten Tuesday was created by The Broke and the Bookish in June of 2010 and was moved to That Artsy Reader Girl in January of 2018.
For my very first ever Top 10 Tuesday I’ve decided to list the books I read after I’d seen the film or TV screen adaptations.
‘The Silver Linings Playbook’ – Matthew Quick
My boyfriend and I went Christmas shopping one afternoon in December 2012 underestimating how many other people would have the same idea. Within minutes we ditched the shopping idea and went to the centre’s cinema. I knew nothing about the film but loved it to the point that I read the book soon afterwards. Both are a quirky take on mental health and family dynamics, with the main difference being the role of the parents. Both enjoyable and quite different products despite focusing on the same cast.
‘The Perks of Being a Wallflower’ – Stephen Chbosky
This was one of those novels that I read about as a teenager but never found it in a bookshop. When the film was released in 2012 I really enjoyed it, but wanted to read the book to see how the story played out in its original setting of 1999. I don’t remember there being a vast difference between the two, neither in plot or characterisation, and liked them both. My brother, however, swears the book is better.
‘The Prestige’ – Christopher Priest
I had the film plot in mind as I read through this weighty, wordy magician centred novel in the summer of 2007. I’m not sure I’d have been focused (or clever!) enough to have followed it through and understood the ending had it not been for the film, which pulled out the main points and dressed the bare bones. Interestingly, the film’s winner is in contrast to the novel’s.
‘Fight Club’ – Chuck Palahniuk
Having seen the film in 1999, it was years and years later that I finally got round to reading the book. I was surprised by how much more I enjoyed the film. There’s nothing wrong with the book, so it’s a comment on how well envisioned and executed the adaptation was.
‘I Am Legend’ – Richard Matheson
I still remember being struck by the creativity of the film’s first scene with Will Smith’s character driving a Porscherrari* through a city so abandoned that nature has taken back the skyscrapers and wild animals have moved in. The film was good and the end – well, it was the mid-noughties and there was a penchant for zombie films that ended with a sense of hope. The novel, which I read several years later, was written in the 1950s and had a very different take on what was needed to reset a world that had only known disease. I enjoyed the film until I read the book, though as they carry two very different messages, it’s easy to separate them.
‘The Stepford Wives’ – Ira Levin
Disappointingly, the film missed the dark humour of the novel. It felt like a project that enabled whichever studio produced it to parade a group of beautiful, glamorous and most significantly, obedient, women in the shadow of the novella’s title. The part where I gave up inside was the point where a wife opens her mouth and her husband uses it as an ATM slot. Especially after that, the book had to be more intelligent and upon reading it, it seemed that the novella highlighted gender politics whereas the film was more invested in the sexual gratification of Stepford-ness.
‘The Haunting of Hill House’ – Shirley Jackson
I hadn’t realised that I’d seen an earlier adaptation of this novel, 1999’s The Haunting which was just awful. The Netflix series shown last year was, fortunately, a million miles better than the most recent attempt to adapt Jackson’s work. In the deep of winter there’s nothing better (to me) than a gothic and ghostly yarn and despite having The Fear (that it couldn’t possibly be as good as I hoped it would be), the short novel was incredible. Incredibly different from the adaptation’s modern and family based retelling.
‘American Psycho’ – Bret Easton Ellis
I watched the film on DVD in my bedroom, sat on a blue, inflatable armchair. It was the year 2000. I don’t remember the shocking bits being as shocking as I thought they would be – possibly because both the book and film were surrounded by so much hype. In the sixth form common room, a girl read excerpts from the book, which out of context just seemed odd and I never thought I’d bother with the book, thinking it was probably pointless guts and gore. In 2003 I finally got round to reading the book (bored at university) and it was unlike anything I’d ever read before. It was the first book I’d read by the author and while not the nicest introduction, he’s one of the few authors that I’ve read everything by.
‘Sex and the City’ – Candace Bushnell
I started watching Sex and the City from the first night it started on Channel 4 in 1998 – or was it 1999? It took some time to grow on me but around the end of season two I was hooked. I brought the book in 2001 and it sat unread for years. I was disappointed when I read it that it wasn’t about four best friends who wore nice clothes and met for brunch. I finally read it in 2008. Very different from the TV series that exploded from it and I didn’t particularly like any of the characters.
‘Legally Blonde – Amanda Brown
This was quite stunningly different from the optimistic and inspirational mid-noughties film. The novel’s Elle Woods is a manipulative meanie who flirts with fellow students as a method of completing her assignments. I’m very glad I saw the film first as there’s no way I would have watched it had I read the book first.
*Commonly recognised as a car that drives fast, sounds loud and makes me point and shout ‘Batmobile!’